In the final phase of the project, researchers gathered at the museum to explore the most effective ways to translate these narratives into a physical space. During this phase, narratives were refined and new connections between exhibition pieces were established to guide visitors on a progressive journey from the least to the most engaged level with the species. We reflected on the best approaches to represent More-than-Human voices in the museum space and to create a dialogue that engages visitors with posthuman ideas. Finally, some researchers helped to set up the space before the exhibition opened.

As a doctoral candidate interested in making posthuman knowledge accessible to broader audiences and exploring new ways to engage in multispecies relationships, being part of this research team compelled me to reflect on my own design practice, approach, and biases. I feel inspired to disseminate research findings in more accessible ways, and I am enriched from collaborating with other multidisciplinary experts who brought invaluable viewpoints and enabled deep conversations on human and More-than-Human relationships. However, while the exhibition aimed to centre interspecies subjectivity and imagination, it also prompted ethical reflection on representation, such as which species are included or excluded, and how to meaningfully convey other species' perspectives within a human-curated framework, which could be explored in the future.